The Powerpuff Girls, maybe along with Dexter’s Laboratory, epitomized everything good about Cartoon Network’s output in the 1990s. Maybe some of their shows were a little too repetitive, or sophomoric, or smug, but the channel was committed to producing original and interesting cartoons for our generation. Like the decades-old cartoons they once aired, Cartoon Network took a more absurdist approach to animation. Unlike, say, Fox Kids or Kids WB, which were more action-oriented and toyetic with only a few exceptions, Cartoon Network’s roster as a whole was premised around either very unusual situations, or twisted adaptations of familiar scenarios. Dexter’s Laboratory and Courage the Cowardly Dog were both totally new and bizarre; The Powerpuff Girls was a fresh, humorous look at one of the oldest concepts in cartoon history – the superhero.
The show is based around a historical gender divide: little girls are supposedly gentle and demure, while superheroes (i.e., men) are tough, powerful, and sometimes brutal. Craig McCracken knew better. He plays on the old cliché of girls as being made of “sugar, spice, and everything nice,” but then adds Chemical X, which derails any and all expectations. The girls maintain their “girliness” – in fact, when Professor Utonium is knocked against the wall, it happens in a burst of hearts and stars – but it’s still very compatible with their superheroism and violent acts. Kick-Ass‘s Hit-Girl was nothing new; the Powerpuff Girls have been doing the same routine for years.
As if to underscore the girls’ comfortable fusion of girlish innocence and manly violence, there are gender divisions within their ranks. These are all communicated from :33-:41 in the video solely using musical leitmotifs and the girls’ unchanging facial expressions. Blossom is marked as the standard, the perfect balance of power and puff. Bubbles and Buttercup, meanwhile, represent the opposite poles within the girls’ unusual range of gendered behavior – the giggly maiden and the sneering tomboy. Nonetheless, both of them take equal pleasure in savagely beating up villains. The way that their rogues gallery is presented and then dispatched hints back at their origins as the “Whoopass Girls”; they may be little girl superheroes, but they’re still willing to take out Fuzzy Lumpkins with more than a little sadism.
The opening abridges a lot of the show’s psychological complexity, especially as the girls’ childish outlook is put up against Townsville’s harsh realities. (This would most often happen with their greatest foe, Him.) But it gets across a pretty good one-minute synopsis laying out the show’s huge appeal. They’re extremely violent superheroes, but they’re cute little girls, and they’re served up with a very ironic edge. So boys, girls, and jaded college students can all find something to enjoy. As effective as the opening may be, though, I actually enjoy the closing theme more, mainly because it’s a full-blown song by the Scottish band Bis. Enjoy!
What about you, dear reader? Have any fond Powerpuff Girls memories?