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Shooting Stars (1928), directed by Anthony Asquith and A.V. Bramble
As revealed by the BFI’s recent restoration, this sly meta-satire is a gem of late silent cinema. Its love triangle plot—a starlet strays from her leading man husband to a slick comedian—is pretzeled by irony and layered with visual subtext. Dizzying crane shots survey the breadth of a studio’s operations. Onscreen text limits the need for title cards. (The actress stands by a window at her lover’s flat, for example, and a marquee outside flashes the title My Man.) Films-within-the-film apply alternative tones to their love stories: slapstick, melodrama, the hokey romance of a cheap western. But Shooting Stars, wielding that triple entendre of a title, is a tragicomedy right down its bitter end. It’s like an inversion of Murnau’s Sunrise where the moral burden’s on the wandering wife, and not even movie magic can release her.
Ashley
Alice
