Tag Archives: black christmas

Billy Loves Stu and the Meme of Horror!

We here at Pussy Goes Grrr love community-building. We also love telling our reading audience about our selves and our opinions. And Pax Romano over at the delightfully queer horror blog Billy Loves Stu has provided an outlet for doing just that: it’s The First Ever Billy Loves Stu Meme for Horror Bloggers. (Even though we’re not a horror blog per se, this whole place is infused with the spirit of horror. So STFU.) So, without further ado, here’s our response (us being Ashley & Andreas) to this getting-to-know-you FAQ/survey/meme…

1: In Ten Words or Less, Describe Your Blog:

Angry feminism meets culture-analyzing acumen and horror movie love.

2: During What Cinematic Era Where you Born?
A: The Classic Horror Era (late 30’s to 40’s)
B: The Atomic Monster/Nuclear Angst Era (the late 40’s through 50’s)
C: The Psycho Era ( Early 60’s)
D: The Rosemary’s Baby Era (Mid to Late 60’s)
E: The Exorcism Era (Early to mid 70’s)
F: The Halloween Era (Late 70’s to Early 80’s)
G: The Slasher Era (Mid to late 80’s) (Ashley)
H: The Self Referential/Post Modern Era (1990 to 1999) (Andreas)

[We both have some issues with these chronological breakdowns, however, primarily in the later years: e.g., wouldn’t the “Halloween Era” just be the part of the “Slasher Era”?]

3: The Carrie Compatibility Question:
(gay men and straight women – make your choice from section A)
A: Billy Nolan or Tommy Ross, who would you take to the prom?
(straight guys and lesbians – make your choice from section B)
B: Sue Snell or Chris Hargensen, who would you take to the prom?

Same answer for both us: Sissy Spacek and only Sissy Spacek.

4: You have been given an ungodly amount of money, and total control of a major motion picture studio – what would your dream Horror project be?

Andreas: If  that “ungodly amount of money” can be used to fund the resurrection of the dead, I say we zombify the corpse of F.W. Murnau, give him whatever money’s left over, and watch him go. That’s my dream horror project.

Ashley: Due to massive amounts of genetic tampering in local chickens, one chicken mutates into the dreaded CHICKENCLIT! It’s a clit! It’s a chicken! It’s 50 STORIES TALL! This movie would be a beautiful abomination and would tank miserably before going on to become a cult classic 20 years later.

5: What horror film “franchise” that others have embraced, left you cold?

Andreas: I’m not really a “franchise” sort of guy – I’m pretty insistent on quality over quantity, and rarely find myself watching sequels beyond “II.” By way of example, I didn’t much care for Friday the 13th Part I, and am in no hurry to see anything past that.

Ashley: All of Scream and all of Friday the 13th. FUCK THOSE MOVIES.

6:  Is Michael Bay the Antichrist?

Michael Bay sucks. Damien is the Antichrist.

7: Dracula, The Wolf Man, The Frankenstein Monster – which one of these classic villains scares you, and why?

Andreas: They’re all scary, each in their own special way. But whereas the Monster is more pitiful and Dracula’s more aristocratic, the Wolf Man can tear your fucking throat out and wake up the next morning, as if from a drunken binge, with no memory of the event. Poor, poor Larry Talbot.

Ashley: Lord Summerisle, fersure. He may not be classic, but he’s retro! Also, Billy. He will fuck your Christmas all up.


8: Tell me about a scene from a NON HORROR Film that scares the crap out of you:

Ashley: The rape scenes in Rashomon (1950) and The Virgin Spring (1960). The brutality experienced by the female characters in both films is very scary. On a lighter note, Judge Doom from Who Framed Roger Rabbit (1988) is one scary motherfucker, and not just when he turns into the murderous, demon-eyed toon.

9: Baby Jane Hudson invites you over to her house for lunch.  What do you bring?

As long as she’s got enough dead rats and pet birds for both of us, there’s no reason to turn this into a potluck.

10: So, between you and me, do you have any ulterior motives for blogging?  Come, on you can tell me, it will be our little secret, I won’t tell a soul.

Andreas: I’ve never told anyone this before, but… I have an earnest desire to share my thoughts about film with the world, and to read the opinions of others. Now shhhh! We can’t let this get out.

11: What would you have brought to Rosemary Woodhouse’s baby shower?

Do they sell infant contact lenses?

12: Godzilla vs The Cloverfield Monster, who wins?

Neither of us have seen Cloverfield, but I’m just going to take a guess and say that Godzilla wins. Because you know what? Godzilla wins pretty much everything, from Godzilla vs. Megalon to the Japanese version of King Kong vs. Godzilla. Plus, he’s got half a century of experience.

13: If you found out that Rob Zombie was reading your blog, what would you post in hopes that he read it?

Ashley: Rob Zombie, if he just happened to be a long-time reader, would already be pissed off about me calling him an asshole for remaking films that don’t need to be remade here.

14: What is your favorite NON HORROR FILM, and why?

Andreas: Favorite, schmavorite; I can never narrow my preferences down to absolutes. But, uh, I’m very fond of The Third Man, Johnny Guitar, and anything by Fassbinder.

Ashley: A lot of my all-time favorite films ARE horror films e.g. Repulsion and Let the Right One In. These movies hold their own next to any other movie of any other genre. But if I had to choose some favorite non-horror, I love Miyazaki’s films (and even some of them have slight touches of creepiness) and lots of other animated films (like the aforementioned Roger Rabbit). Double Indemnity is one of my favorite films and so is Gaslight (which also has touches of horror) and I love, love, love Charlie Chaplin and Buster Keaton.

15: If blogging technology did not exist, what would you be doing

Andreas: Pursuing my college education without distraction. Jesus, how boring would that be?

Ashley: Since I don’t spend ALL of my time blogging, I’d probably just spend (even more) time perusing the interwebz.

I hope you enjoyed this intimate look into our creepy little minds. Thanks to Billy Loves Stu for the meme; go check it out!

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Gives me the willies!

Ashley:

I <3 scary movie lists. So, I got super excited when I read on Final Girl and The Horror Digest about Top Ten Willie Inducing Moments list! So here are the moments that give me the chills.

Let the Right One In (2008) – Eli’s “old face”

Let the Right One In is a masterpiece of a vampire film. It’s not the scariest movie in the world but it does have some very chilling moments. For me, Eli’s older face is one of them. I think the reason it freaks me out so much to the point of not even wanting to look at it, is because it’s so subtle. You only really realize after the fact, once her face changes back that it was just totally fucking different a second before.  How Oskar didn’t run screaming from the room the moment that face looked up at him is beyond me; that’s true love, fo’ sho.

Black Christmas (1975) – “I’m going to kill you.”

The original Black Christmas is a movie that scares me so deeply that I can’t even explain it. The first time I watched this movie, I couldn’t sleep right for a few nights afterward. There’s just something about it that gets under my skin and makes me feel unsafe. This moment happens about 8 minutes into the movie and it freaks me the fuck out. We have these excruciatingly long moments listening to grotesque sounds and words coming from the phone and then, without skipping a fucking beat, it switches to complete calm,  telling Barb, “I’m going to kill you.” My stomach literally dropped the first time I saw this part, it scared me so much. I’ve watched this movie with people who just thought this part was HI-LARIOUS and it just goes to show you that different thing scare different people. Just watching this part so I could get this screen grab has me anxious.

Martyrs (2008) – the monster girl

Anything that moves really unnaturally scares me a lot. So, of course there are tons of Asian horror movies that have scary moments for me; that jerky, creepy movement is just not right, it’s not natural, it’s not human. However, the French Martyrs takes the cake for me in terms of stop-moving-like-that-goddammit! This is a brutal film, from start to finish. For the first half of the film, the terrifying monster that continually stalked and fucked up Lucie had me holding my breath, my hands clasped tightly over my mouth. The bathroom scene, where we finally see the creature in full, had me totally petrified. I couldn’t handle the way she moved, the way her bones protruded, the way her mouth was like some jagged black hole whenever she screamed. If I were Lucie, I would have killed myself a long fucking time ago just to get that thing away from me.

Pet Sematary (1989) – Zelda

I debated whether or not to put this one since I don’t consider Pet Sematary one of my favorite horror movies, and as an adult I’ve only seen the whole thing once or twice. But that doesn’t change the fact that at some point during my early childhood I saw parts of this movie; the parts with Zelda. And the image of her never, ever left my mind. I still have intense fears of going into a room and seeing someone hunched in the corner because of this movie. Watching the scenes with Zelda fills me with a sick kind of fear, the kind that makes me want to turn off what I’m watching RIGHT NAOW because I can’t stand looking at it or hearing it.

The Stepford Wives (1975) – bleakest ending ever

I’ve written about my love of The Stepford Wives in the past. This movie is terrifying to me on a very fundamental level; as someone who is very conscious of women’s issues and oppression and patriarchal power , the movie is bleak and gut-wrenching. No escape. No salvation. Death at the hands of men who don’t give a shit about substance or personality; they just want you to be ‘the perfect wife’. And they can pull it off. Because who’s going to question them?

Alice:

When Ashley told me about this “willie-inducing moment” thing, I immediately wanted in. Ergo, voilà! Since neither of us could put together a full 10, here’s my 5 to complete her list, in reverse-chronological order. May the willies be with you…

2001: A Space Odyssey (1968) – the death of Frank Poole

Space travel is already a pretty scary prospect: no oxygen, just a few other people, relying entirely on your womblike spaceship to get you to Jupiter safely. So when the computer gets pissed off and starts doing in one crew member after another, you’re pretty much fucked. Frank is the second-to-last astronaut left, and all his conspiring with Dave proves futile: HAL unhinges his suit’s umbilical cord, and off he goes, limbs flailing frantically, into the cold darkness. I’ve always thought going into space would be like the coolest thing ever. Then I think about this scene, and… maybe not.

Night of the Living Dead (1968) – the corpse at the top of the stairs

It’s great that one of the biggest scares in this classic isn’t the living dead at all. Barbra, running from the gentleman zombie who’s just killed her brother, enters a random house in the Pennsylvania wilderness. She hurries up the stairs, but then she sees this. We never really find out who this corpse belonged to or how they died; judging from the state of decay, it was clearly before the zombie onslaught. And since we only see it for a couple seconds at a time, it really sticks in our minds. All we really know is, stay the fuck off of the second floor! (This moment, I noticed, was also chosen by Bryce at Things That Don’t Suck. It’s just really seriously willie-inducing.)

The War Game (1965) – the first blast

This isn’t really a horror movie. It’s actually more of a political mockumentary. But Peter Watkins’ Oscar-winning film has dozens of these devastating, willies-eliciting moments. With chilling detachment, the film depicts a hypothetical near-future in which NATO vs. Communist Bloc tensions escalated to the point of full-scale nuclear war. This scene shows the first nuclear bombardment of England, as unprepared civilians are blinded by a far-off explosion. My willies are amplified by the accompanying voiceover: “At this distance, the heat wave is sufficient to cause melting of the upturned eyeball…”

Carnival of Souls (1962) – the face in the car window

This guy’s face reappears a lot in Carnival of Souls, as he persistently dogs the steps of our organist heroine Mary (Candace Hilligoss). It’s never clear who he is or what he wants, except that he’s probably dead, and he probably wants Mary to be dead, too. This is the first time we see him, as Mary drives through Utah by night. First, it’s her reflection in the window. Then, it’s him. Dear Scary Faces, please stop being where you shouldn’t, whether it’s in windows, mirrors, or nightmares. Sincerely, me.

Mad Love (1935) – Dr. Gogol disguised as the reanimated Rollo

OK, we all know Peter Lorre is one creepy motherfucker. We saw him make those faces in M. We watched him obsess over that piano-playing hand in The Beast with Five Fingers. He’s even creepy in non-horror movies, like Stranger on the Third Floor. But this scene, midway through Mad Love, may be Lorre’s creepiest moment ever. He’s not just being his (already crazy) self as the obsessive Dr. Gogol. Instead, he’s putting on a demented show by dressing up as the knife-thrower Rollo, who was executed earlier in the film, in order to freak out poor pianist Stephen Orlac (Colin Clive).

Let’s count everything that’s willie-inducing about this scene: 1) the neck brace and metal hands are totally nonfunctional – I think it’d be way less terrifying if his head actually had been reattached. 2) Still, the idea of reattaching a guillotined man’s head = ewww. 3) The sunglasses and hat almost entirely covering his face. 4) Lorre’s laughter. 5) He doesn’t even look like Rollo (played by Edward Brophy), yet Orlac falls for it. This is only one short scene, but that image – which I saw as a child in those devilish horror movie encyclopedias we had lying around the house – is so uncanny, so perverse, and so wrong in so many ways that it gives me the willies just thinking about it.

Ewww! Bad! No! In closing, I hope you enjoyed our willies.

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