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2018: Resilience and Despair

Mamma Mia! Here We Go Again, Unfriended: Dark Web, A Star Is Born, Lean on Pete

Writing these countdowns always comes with a sense of relief. I made it through another year. (And spent a big chunk of it watching movies.) Excitement, too: now I can set aside that year, break it down, hold its little pieces in my memory. The year that was can hold no further surprises; now, as I pause in late December waiting for the new one to start, I have an opportunity to assess it. So here, as far as cinema’s concerned, are the little pieces of 2018.

First, a couple outliers. Blue is a lovely Apichatpong Weerasethakul short that premiered at TIFF this year. Within its 12-minute run time, he finds sublime uses for some antiquated visual trickery. The Other Side of the Wind is a film Orson Welles starting shooting decades ago, now given a posthumous release. It’s breathtaking: a poison pen roman à clef full of formal experimentation. (Ranking it alongside films from living auteurs feels a bit like apples and oranges, but it’s a strong addition to the Welles corpus.)

Here are 15 other movies I enjoyed in alphabetical order: The Day After, Did You Wonder Who Fired the Gun?, First Reformed, Happy as Lazzaro, Lean on Pete, Mamma Mia! Here We Go Again, Minding the Gap, Private Life, Shirkers, Sorry to Bother YouA Star Is Born, Unfriended: Dark Web, Unsane, Werewolf, and Widows.

And here are 10 other performances: Bryan Cranston, his voice a forlorn growl in Isle of DogsWidows’ Viola Davis, giving blunt directives in the midst of mourning; Jennifer Ehle (supporting actress extraordinaire) as The Miseducation of Cameron Post’s homophobic villain; Daniel Giménez Cacho, who bears weariness in his sharp features as Zama’s title character; Upgrade’s Simon Maiden, drily funny as a HAL-style AI; Amanda Seyfried as bereaved mothers-to-be in both First Reformed and Mamma Mia! Here We Go Again; Adriano Tardiolo, his eyes wide as the namesake naif in Happy as Lazzaro; Tessa Thompson embodying praxis as the earring-adorned artist in Sorry to Bother YouReady Player One’s Lena Waithe, transformed via mocap into a lumbering avatar; and Anton Yelchin, now a couple years deceased, playing the scumbag of all scumbags in Thoroughbreds.

And now, the list:

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