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2017: Rebirths and Afterlives

Person to Person, Colossal, Lady Bird, The Ornithologist

I adore this time of year. It’s the time when we write out short lists to memorialize the past twelve months. The selections don’t matter, nor does the order; the point is simply to remember. “#10 was the first new movie I saw this year, at the multiplex, with a coworker who’s since moved out of state. I ran to a screening of #2 right after scarfing down some pita and hummus.” Each entry represents a pocket of time I lingered in. The year’s ten best pockets of time.

I enjoyed the following ten movies almost as much as the ones I’ve listed below: Call Me by Your NameColossalGirls TripGood TimeLady BirdLogan LuckyThe OrnithologistPerson to PersonSong to Song, and Star Wars: The Last Jedi. The new Twin Peaks, on the other hand, I enjoyed even more than the titles below. It may have aired in weekly installments on Showtime, but it’s still essential to any conversation about the state of filmmaking in 2017. May as well call it my real #1! It moved and thrilled and shook me unlike anything else in recent memory.

Here’s a supplementary list of ten performances: Betty Buckley, articulate as a psychotherapist, and the protean James McAvoy playing against her in Split; Harris Dickinson, implosive with self-loathing in Beach Rats; two turns by Michael Fassbender, as the smarmy villains of Song to Song and Alien: Covenant; Milla Jovovich’s valedictory sprint through Resident Evil: The Final Chapter; Barry Keoghan as a teenage sprite barely veiling his hostility in The Killing of a Sacred Deer; Keanu Reeves, put through his paces again in John Wick: Chapter 2; Lady Bird’s callous, precocious, and heartbreaking Saoirse Ronan; newcomer Millicent Simmonds and her silent movie acting in Wonderstruck; octagenarian Lois Smith playing her age as Marjorie of Marjorie Prime; and Adrian Titieni, slouching and gloomy as a bad dad in Graduation.

Now onto the list:

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