This week’s kitty is from Cindy Sherman’s first (and only) feature film, Office Killer. The film itself was pretty disappointing—a half-baked story that wasted a bunch of great actresses—but hey, at least it had a cute kitty! And now, a smattering of links:
As for search terms: we had the rejected Jules Verne title “journey in the pussy,” the question-without-an-answer “what disney movie did they say vagina?”, and the excellent statement “writing things make me angry.” Writing things make me angry, too.
Now that Cannes 2011 has wrapped, here’s a short list of my most-anticipated films from the festival. With any luck, most or all of them will be headed to an arthouse theater near me soon!
- Woody Allen’s Midnight in Paris. The lackluster trailer and Woody’s recent track record weren’t exactly getting my hopes up, but once I learned that Kathy Bates and Scott Pilgrim‘s Alison Pill play Gertrude Stein and Zelda Fitzgerald respectively, I knew I’d have to see it. Will Owen Wilson make a suitable Woody surrogate? Will it be so cutely erudite that I’ll throw up? I can’t wait to find out!
- Lynne Ramsay’s We Need to Talk About Kevin. I already wrote about how intensely I want to see this, and that intensity continues to grow. An Oscar-caliber Tilda Swinton performance! John C. Reilly! Stream-of-consciousness narrative! YEAH.
- Michel Hazanavicius’s The Artist. I’m excited by both The Artist‘s plot—it’s a silent comedy/melodrama about Hollywood’s transition to sound—and its loose resemblance to Guy Maddin’s movies. It sounds like the best kind of cinephile junk food.
- Sean Durkin’s Martha Marcy May Marlene. I can’t wait to see Durkin’s debut feature, a harrowing cult-themed drama (which, like Midnight in Paris, played out of the main competition). The fact that it co-stars John Hawkes from Winter’s Bone is icing on the cake.
- Terence Malick’s The Tree of Life. Although sometimes put off by his ponderousness, I adore Malick’s childlike wonderment at the world. (And just try not to be blown away by the house-burning sequence in Badlands.) I’m a sucker for cosmic spectacle, so Malick’s long-awaited Palme d’Or-winner might just do the trick for me.
- Lars Von Trier’s Melancholia. Speaking of cosmic spectacle, the trailer for Melancholia really impressed me, and the casting of John Hurt and Charlotte Rampling as an old married couple would get my ass in the theater to see Transformers 3. When mixed with Von Trier and the end of the world? Ohhh yes.
- Pedro Almodóvar’s The Skin I Live In. I’m just crazy about face transplant movies like Face Behind the Mask, Eyes Without a Face, and The Face of Another. If I can get that with Almodóvar’s uniquely dark, sensual sensibility, I will be a happy moviegoer.
- Nicholas Winding Refn’s Drive. This is tied with Kevin, Melancholia, and MMMM for “most most-anticipated.” Ryan Gosling in an existential action movie? Yes please, and thank you.
What Cannes-tastic new movies are you excited to see?
Some things I love: 1) Tilda Swinton, 2) stories about school violence, 3) Tilda Fucking Swinton, 4) beautiful cinematography, 5) chronologically impressionistic narratives, 6) female directors, 7) John C. Fucking Reilly, and… oh, did I mention 8) Tilda Swinton?
I may not yet have seen Lynne Ramsay’s first two features, the much-praised Ratcatcher and Morvern Callar, but I think I’ll need to see her third, We Need to Talk About Kevin. Between the ingredients listed above and the often ecstatic reviews it’s been getting at Cannes, this has jumped to the top of my 2011 to-watch list. Who gives a shit about Super 8 or even X-Men: First Class? I want to talk about Kevin.
Are you raring to see Kevin? Any other Cannes premieres making you excited?